We’ve now visited the Lux festival three times this week. On Wednesday evening there was some rain about so I headed into the city to try and get some photos of lights and reflections. Unfortunately (for me anyway) the rain was light and didn’t hang around so there wasn’t much in the way of pools of water or wet surfaces. Mid week and quite late there were not a lot of people around so I had plenty of time and space to play with.
Rube was worth spending some time watching. The artwork painted on the wall was given a storytelling element through the use of projected light and sound with different parts of the art lit up and animated. Even on a quiet night there was a small crowd staring up and watching.
Probably my favourite lightwork this year is the Tree labelled The Feast of Lights. As intentioned it is first seen framed by a building down a long laneway. Up close it appears like some otherworldly free grabbed from a James Cameron movie. It’s strange and while alone with it I just stood and watched it, slowly moving around and looking at the interaction with the industrial structure surrounding it.
As mentioned I’d hoped for water to allow for reflections. Above is what I ended up with. Better luck next year maybe?
There was an increased interactive element to many of this years lightworks. Circular Ruins looked like a basic henge or simple pillars of light. With movement from the viewer the pillars became a circular geometric enclosure of light. Trying to capture it on camera involved a lot of experimentation and spinning on the spot.
The photo above is only one side of the Pulse installation. I hope if future years more is done with the underside of the wharfs. On a still night the lights on the water were eerie, especially when combined with a stirring piece of music.
The lightwork Vessels of Light reminded me a miniature Weather Project. I think it’d be good to see in a larger space but the small room made out of shipping containers was intimate and interesting to explore.
More interaction with the little suns that populated this wall. Playing with light was a popular pastime for the passing crowd.
Aura was still a lot of fun and there was much experimentation trying to change the sound and light. The sense that people were creating something new and interesting drew in an audience and everyone wanted to have a turn.
Another night and we decided to visit again with Alayna. While Keryn waited in a queue for food I wheeled Alayna around in her pram. We checked out the glowing night time incarnation of Carrello del Gelato with the added bonus of getting away from the light but cool breeze. By the time we decided we actually wanted to sample some incandescent gelato the queues were long enough that the thought of waiting in the cool wasn’t worth it. Thankfully the souvlaki from the Greek Food Truck was excellent.
We took the opportunity to see if Alayna would be interested in face painting. Alayna was a little shy but let the woman paint a small flower on her cheek after first watching Keryn receive her own little artwork. We needed a mirror so Alayna could inspect the flower, instead Alayna was happy to play with the chalk and glowing blocks.
We came across the wandering Light Swan a few times. It was a challenge to get a decent photo and I was rather obsessed at times, something that didn’t help Keryn or Alayna as they had to stay nearby and pretty much just get cold. I need to learn to be faster :)
Alayna got to spend some time playing with more glowing chalk and she enjoyed crawling over the boards. She also enjoyed watching the nearby incandescent twister, though I think she mainly wanted to just spin the arrow.
And finally there were the mysterious cats. Aloof and constantly on the move I thought we’d missed a good photo opportunity but then as we were nearly back at the car they appeared walking towards us. Alayna was quite taken with the glowing felines, for their part they glanced our way and continued on their way.